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	<title>Comments on: Workflow #4</title>
	<atom:link href="http://blog.wearemjr.com/archives/133/feed" rel="self" type="application/rss+xml" />
	<link>http://blog.wearemjr.com/archives/133</link>
	<description></description>
	<pubDate>Tue, 06 Jan 2009 09:57:52 +0000</pubDate>
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		<item>
		<title>By: melissa</title>
		<link>http://blog.wearemjr.com/archives/133#comment-205</link>
		<dc:creator>melissa</dc:creator>
		<pubDate>Mon, 07 Jul 2008 13:20:46 +0000</pubDate>
		<guid isPermaLink="false">http://blog.wearemjr.com/?p=133#comment-205</guid>
		<description>I love the film feel of exposure 2 and use it when I can but have to do a bit of tweaking to get the deeper colours so don't use it as much as I'd like, not sure if it's I haven't figured it out or I want something it doesn't do..  

it surpises me how many people don't look at filter programs at all (I use nik efex pro a bit too I love the IR bnw) and use only actions.... 

sorting is taking me forever thanks for the photomechanic tip, it may help me sort and back up quicker it's worth it

and since I upgraded to the d3 I don't shoot raw anymore I'm getting straight out of the camera right on over and over and over and I LOVE the speed that allows me.. but I tend to shoot right on exposure all the time, even sometimes when I'm trying not too :)


cool site</description>
		<content:encoded><![CDATA[<p>I love the film feel of exposure 2 and use it when I can but have to do a bit of tweaking to get the deeper colours so don&#8217;t use it as much as I&#8217;d like, not sure if it&#8217;s I haven&#8217;t figured it out or I want something it doesn&#8217;t do..  </p>
<p>it surpises me how many people don&#8217;t look at filter programs at all (I use nik efex pro a bit too I love the IR bnw) and use only actions&#8230;. </p>
<p>sorting is taking me forever thanks for the photomechanic tip, it may help me sort and back up quicker it&#8217;s worth it</p>
<p>and since I upgraded to the d3 I don&#8217;t shoot raw anymore I&#8217;m getting straight out of the camera right on over and over and over and I LOVE the speed that allows me.. but I tend to shoot right on exposure all the time, even sometimes when I&#8217;m trying not too <img src='http://blog.wearemjr.com/wp-includes/images/smilies/icon_smile.gif' alt=':)' class='wp-smiley' /> </p>
<p>cool site</p>
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	<item>
		<title>By: phiL</title>
		<link>http://blog.wearemjr.com/archives/133#comment-150</link>
		<dc:creator>phiL</dc:creator>
		<pubDate>Tue, 03 Jun 2008 22:11:57 +0000</pubDate>
		<guid isPermaLink="false">http://blog.wearemjr.com/?p=133#comment-150</guid>
		<description>Sean, the profile is applied, or maybe i don't know how to activate them in LR.. 
Anyway, if i export a jpeg in Photoshop, they are in Srg, that's why, i can't nderstand..... :(

Regards</description>
		<content:encoded><![CDATA[<p>Sean, the profile is applied, or maybe i don&#8217;t know how to activate them in LR..<br />
Anyway, if i export a jpeg in Photoshop, they are in Srg, that&#8217;s why, i can&#8217;t nderstand&#8230;.. <img src='http://blog.wearemjr.com/wp-includes/images/smilies/icon_sad.gif' alt=':(' class='wp-smiley' /><br />
Regards</p>
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	</item>
	<item>
		<title>By: Sean</title>
		<link>http://blog.wearemjr.com/archives/133#comment-142</link>
		<dc:creator>Sean</dc:creator>
		<pubDate>Mon, 02 Jun 2008 01:59:18 +0000</pubDate>
		<guid isPermaLink="false">http://blog.wearemjr.com/?p=133#comment-142</guid>
		<description>@nick. most of the time I've got a 50 on one and the 35 on the other. but another good combo is the 24 and 50, gives a little more range. 

@phiL. i've gone through issues like this before but in photoshop. i think the way we solved it was to make sure the images were going to web in Srgb and that icc was applied. hope that helps.

cheers,
SF</description>
		<content:encoded><![CDATA[<p>@nick. most of the time I&#8217;ve got a 50 on one and the 35 on the other. but another good combo is the 24 and 50, gives a little more range. </p>
<p>@phiL. i&#8217;ve gone through issues like this before but in photoshop. i think the way we solved it was to make sure the images were going to web in Srgb and that icc was applied. hope that helps.</p>
<p>cheers,<br />
SF</p>
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	</item>
	<item>
		<title>By: phiL</title>
		<link>http://blog.wearemjr.com/archives/133#comment-141</link>
		<dc:creator>phiL</dc:creator>
		<pubDate>Sun, 01 Jun 2008 20:34:14 +0000</pubDate>
		<guid isPermaLink="false">http://blog.wearemjr.com/?p=133#comment-141</guid>
		<description>Oh sorry i put my comment in the wrong post.....

Sean, i’ve got a technical question about your LR galeries, because i’m using it with a mac too…

I’ve got just an embarrassing issue. When i create a galery in flash, thz picture appears lighter than original.. I found that it was because the pictures are saved in sRGB profile. I’ve got the same problem when i upload exported pictures on communities like Facebook for example.

An screen of the issue here : http://photographil.net/mjr.jpg

The solution i found is to convert the picture on my screen profile, made with an Xrite. Do you had the same issue or never ? I can’t find how to export my galeries without this profile problem….

Thanx a lot for your feedback about it…

phiL</description>
		<content:encoded><![CDATA[<p>Oh sorry i put my comment in the wrong post&#8230;..</p>
<p>Sean, i’ve got a technical question about your LR galeries, because i’m using it with a mac too…</p>
<p>I’ve got just an embarrassing issue. When i create a galery in flash, thz picture appears lighter than original.. I found that it was because the pictures are saved in sRGB profile. I’ve got the same problem when i upload exported pictures on communities like Facebook for example.</p>
<p>An screen of the issue here : <a href="http://photographil.net/mjr.jpg" rel="nofollow">http://photographil.net/mjr.jpg</a></p>
<p>The solution i found is to convert the picture on my screen profile, made with an Xrite. Do you had the same issue or never ? I can’t find how to export my galeries without this profile problem….</p>
<p>Thanx a lot for your feedback about it…</p>
<p>phiL</p>
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		<title>By: Nick</title>
		<link>http://blog.wearemjr.com/archives/133#comment-139</link>
		<dc:creator>Nick</dc:creator>
		<pubDate>Sun, 01 Jun 2008 19:52:43 +0000</pubDate>
		<guid isPermaLink="false">http://blog.wearemjr.com/?p=133#comment-139</guid>
		<description>Do you arm both your 5D's with the 50 and 35 and have them on hand to switch between them? 

Seeing how sometimes a 50 could put you in trouble from a focusing distance in a closed space, you'd need a quick change to a 35 sometimes.


Just curious about how you handle your gear.

As always, your stuff is incredible man.</description>
		<content:encoded><![CDATA[<p>Do you arm both your 5D&#8217;s with the 50 and 35 and have them on hand to switch between them? </p>
<p>Seeing how sometimes a 50 could put you in trouble from a focusing distance in a closed space, you&#8217;d need a quick change to a 35 sometimes.</p>
<p>Just curious about how you handle your gear.</p>
<p>As always, your stuff is incredible man.</p>
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		<title>By: Sean</title>
		<link>http://blog.wearemjr.com/archives/133#comment-137</link>
		<dc:creator>Sean</dc:creator>
		<pubDate>Sat, 31 May 2008 22:50:27 +0000</pubDate>
		<guid isPermaLink="false">http://blog.wearemjr.com/?p=133#comment-137</guid>
		<description>Calvin,
Thanks for commenting. Compared to the 24 the 35 is more versatile, sharper and cleaner. I don't find it to be too tight for portraits at all, I have found I love it for portraits, it's great for singles and groups of people. I can praise that 35 all day long the same way matt can pump up the 16-35, which is an incredible lens too. The thing is to find what works best for you and do that. Maybe for you the 24 is the ticket, and if so stick with it if it's working. On the other hand I've really limited myself by going to the 35 or 50 all the time, I could play more with the 85 or 135 but I'm too comfortable in the middle distance space that I'm so accustomed to. 

Cheers,

SF</description>
		<content:encoded><![CDATA[<p>Calvin,<br />
Thanks for commenting. Compared to the 24 the 35 is more versatile, sharper and cleaner. I don&#8217;t find it to be too tight for portraits at all, I have found I love it for portraits, it&#8217;s great for singles and groups of people. I can praise that 35 all day long the same way matt can pump up the 16-35, which is an incredible lens too. The thing is to find what works best for you and do that. Maybe for you the 24 is the ticket, and if so stick with it if it&#8217;s working. On the other hand I&#8217;ve really limited myself by going to the 35 or 50 all the time, I could play more with the 85 or 135 but I&#8217;m too comfortable in the middle distance space that I&#8217;m so accustomed to. </p>
<p>Cheers,</p>
<p>SF</p>
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		<title>By: Calvin Sun</title>
		<link>http://blog.wearemjr.com/archives/133#comment-136</link>
		<dc:creator>Calvin Sun</dc:creator>
		<pubDate>Sat, 31 May 2008 20:47:22 +0000</pubDate>
		<guid isPermaLink="false">http://blog.wearemjr.com/?p=133#comment-136</guid>
		<description>I agree with Michelle, I've been a huge fan for a while and have been wondering about your workflow. I know you shoot with a 24/1.4, and I am curious what your thoughts are compare to the 35? Do you feel its a bit too "close" or tight when shooting people?</description>
		<content:encoded><![CDATA[<p>I agree with Michelle, I&#8217;ve been a huge fan for a while and have been wondering about your workflow. I know you shoot with a 24/1.4, and I am curious what your thoughts are compare to the 35? Do you feel its a bit too &#8220;close&#8221; or tight when shooting people?</p>
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	<item>
		<title>By: Sean</title>
		<link>http://blog.wearemjr.com/archives/133#comment-120</link>
		<dc:creator>Sean</dc:creator>
		<pubDate>Fri, 30 May 2008 19:32:58 +0000</pubDate>
		<guid isPermaLink="false">http://blog.wearemjr.com/?p=133#comment-120</guid>
		<description>michelle,
Thanks. Still feeling pretty Ill. Not sure it was a lovely read but it's how I do things.

matt,
i don't recommend anyone shoot JPG. I do it only for saving time and I like  the files straight from the cam. As long as your exposure and WB are on point there isn't much to worry about. I think for the way you are going, working off the blacks it may do you best to always shoot RAW. Last summer when I was shooting three weddings a weekend and sifting through 11,000 frames from those shoots it all but made sense to not worry about converting the RAWS, just a huge time saver for me. Regarding the 35/1.4, it turns me on enough for the both of us. I wish I cold rock that 16-35 but every time I shoot it I shoot it @ 16, I thought about maybe taping it at 20mm so I couldn't go wider. 

Anyhow, cheers, and thanks for the comments.</description>
		<content:encoded><![CDATA[<p>michelle,<br />
Thanks. Still feeling pretty Ill. Not sure it was a lovely read but it&#8217;s how I do things.</p>
<p>matt,<br />
i don&#8217;t recommend anyone shoot JPG. I do it only for saving time and I like  the files straight from the cam. As long as your exposure and WB are on point there isn&#8217;t much to worry about. I think for the way you are going, working off the blacks it may do you best to always shoot RAW. Last summer when I was shooting three weddings a weekend and sifting through 11,000 frames from those shoots it all but made sense to not worry about converting the RAWS, just a huge time saver for me. Regarding the 35/1.4, it turns me on enough for the both of us. I wish I cold rock that 16-35 but every time I shoot it I shoot it @ 16, I thought about maybe taping it at 20mm so I couldn&#8217;t go wider. </p>
<p>Anyhow, cheers, and thanks for the comments.</p>
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	<item>
		<title>By: Matt</title>
		<link>http://blog.wearemjr.com/archives/133#comment-118</link>
		<dc:creator>Matt</dc:creator>
		<pubDate>Fri, 30 May 2008 15:56:50 +0000</pubDate>
		<guid isPermaLink="false">http://blog.wearemjr.com/?p=133#comment-118</guid>
		<description>the 50 and 85 are seriously lethal at mid range... Can't argue there. And you make a great case for the 35 1.4. I don't know why but the 35 just doesnt turn me on enough to drop the 16-35. Me and the 16 have history and I could never let go.. It was my first canon lens!'

So I'm going to shoot jpgs today and see how it goes.. I feel like a bastard doing so but I am curious.

Best,

MC</description>
		<content:encoded><![CDATA[<p>the 50 and 85 are seriously lethal at mid range&#8230; Can&#8217;t argue there. And you make a great case for the 35 1.4. I don&#8217;t know why but the 35 just doesnt turn me on enough to drop the 16-35. Me and the 16 have history and I could never let go.. It was my first canon lens!&#8217;</p>
<p>So I&#8217;m going to shoot jpgs today and see how it goes.. I feel like a bastard doing so but I am curious.</p>
<p>Best,</p>
<p>MC</p>
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		<title>By: Michelle Moore</title>
		<link>http://blog.wearemjr.com/archives/133#comment-116</link>
		<dc:creator>Michelle Moore</dc:creator>
		<pubDate>Thu, 29 May 2008 23:09:28 +0000</pubDate>
		<guid isPermaLink="false">http://blog.wearemjr.com/?p=133#comment-116</guid>
		<description>I was waiting for this one :)  Lovely read, pretty simple but no one does it like you do.  Sean your work is one of a kind.  Get better!</description>
		<content:encoded><![CDATA[<p>I was waiting for this one <img src='http://blog.wearemjr.com/wp-includes/images/smilies/icon_smile.gif' alt=':)' class='wp-smiley' />  Lovely read, pretty simple but no one does it like you do.  Sean your work is one of a kind.  Get better!</p>
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