Archive for May, 2008

Workflow #5

“Workflow” and me do not mix. My relationship with computers and technology is poor and every year or so people scoff at me when they say “YOU ARE USING WHAT!?” The process from the initial shot to the final edit ends at the computer, which is kind of a problem for me. I have an interesting relationship with computers, i just dont really like them but i need them so we are at a standstill. 99% of my work is shot on film which is funny because my workflow isn’t much of a “flow” at all, its more backwards than that. All the other cats at MJR are way more savvy about what they use and why they use it. Alot of the things I use only because one of them told me to! My workflow revolves around one word…easy.

My shooting style reflects my workflow. I do not shoot quickly and am never really in a rush when it comes to making exposures. i will wait and wait and wait. Having the quickest and fastest camera and processing equipment doesn’t really get me excited. For me, the more buttons the more headache and the more shit to break. I’m more about comfortability and being deliberate and precise from shooting to editing.

I shoot slide film that is thrown into a computerized machine at A&I Photographic where the images are then scanned at 25megs a piece, then cut and mounted. I get home… place the transparencies on the shelf where i know they will be safe from water damage and earthquakes and insert the disc of scans into my computer. All work is then dropped into Lightroom Beta 1. I back up the stuff on a 500g G-Drive whenever I get paranoid which ends up being about every 2-3 months or so. But since my work is all film, backing up has become a little less mandatory for me. Hell, a crash may even jump start me to be more organized about everything.

I shoot a leica m6 with motordrive with a 28mm summicron and a Mamiya 7II (6×7cm) with the 80mm lens. thats basically it. I rarely use a camera bag because by the time you get the camera out the damn bag the moment is gone. I also have a canon 20D with a 17-40 but that hasn’t been used in eons. I have access to tons of digital equipment but i never use it. i like shooting slides, i like the rangefinder system.

Well since im shooting film and since the Mamiya only carries 10 shots per roll, my workflow is a lot less intense compared to Sean, Matt and Mustafa and probably a little less intense than Rob’s.

Since i have never been good with computers i have never delved into the depths of photoshop or aperture or lightroom. For the guys who are coming home from a shoot with 5,000 RAW images, these softwares are a way of life. For me they are just things to use sparingly.

My editing is minimal, with slides there is no latitude in the film and when you shot it, you either got it or you didn’t. With the tools i have you see what you get and nothing more. if i choose to shoot at 50 ISO i may have that roll of film in my camera for 5 days until it is used. My brian doesn’t think about what I can do in post and i dont shoot anything to fix it later. 90% of everything seen in my images is done in camera with exposure and shutter speed combinations and a decent knowledge of the way my film stock will react. Here is everything in a short list from beginning to end

1. see/feel the opportunity for an image

2. frame up and expose

3. wind the advance and forget about the frame i just shot

4. Repeat steps 1 through 3….36 times on 35mm and 10 times on 6X7

5. drop 4-5 rolls off at the lab

6. wait 24-48 hours

7. pick up film and insert disc of scans into computer

8. minimal edit in lightroom blacks, and saturation tabs.

9. Wrestle with wordpress in sizing and uploading.

Thank you, ill be around for questions or comments

- j

Workflow #4

Equipment

5DX2

24/1.4

35/1.4

50/1.2

135/2

45/2.8 TSE

580EXIIX2

Apple Computers 

Pocket Wizards and miscellaneous odds and ends. I use Kingston 4 and 8GB cards, Ideally I would be shooting all 4GB cards to make for an easy fit onto DVD. For all my shoots I bring along a black Crumpler 7 Million Dollar home camera bag. I chose that bag because it doesn’t look much like a camera bag and I don’t want to go advertising the fact that I’m walking around with $10,000 wrapped around my neck. 

Out of all the glass mentioned above, the 35/1.4 is my go to lens, used for about 80% of my images, it’s a total utility lens that can be used for many different situations. Next up would be the 50/1.2, there is something so right about the middle distance range that those lenses provide. I only own the 135/2 for when I can’t be physically close enough to shoot with the 35 or 50. Let me show you what I’m talking about…. Below is the 35/1.4 at full aperture on the 5D right up in the brides face. The aesthetic and characteristics of the lens are unparalleled. I’m not a pixel peeper by any means, but this glass is hot.

So, for as hot as the 35/1.4 is, the 50/1.2 is damn close. Let me show you what I mean…. Below is the 50/1.2 on the 5D wide open.

Again, this glass provides something special that even an f/2.8 lens can’t get close to. 

Workflow

For me this is a tricky subject. I shoot JPG primarily, but only since about two years ago when I swapped my Nikons for the canon 5D. I know the scoffers are saying WTF, but let me tell you, the JPG files that the 5D make are better than any RAW conversion I have done. Maybe you’ve noticed that once you import your files into whatever you import to, they change tone and color slightly. well, once I found out why this was happening I basically stopped shooting RAW. I still do, on occasion shoot in RAW mode but always ask myself why afterward. Just the amount of time I save on imports and not having to convert the files is well worth it to me. I ingest my files into a program called Photo Mechanic. The $150.00 I spent on this program may be the best money I’ve spent on any piece of gear or equipment. It’s just a browsing program I use specifically for editing down fast. It’s easy to organize and get through the files blazingly. I run through the images, tag my keepers and toss the frames that didn’t make the cut. From here I go back through the collection in PM and hit the letter E to send that file to photoshop, I work the file and save it in a subfolder of the folder I’m working in, I name that folder edit. I edit my files using Exposure 2 from Alien Skin and a mixture of home made actions. Because I use Photoshop almost exclusively for editing I have automated almost everything I do in PS with key commands. Above I mentioned I use photoshop almost exclusively, thats because I use LR to organize and import once I’ve finished my edit, I also love the web galleries you can make in LR. Check this one out. LR web gallery.

Backup

When the import from the card reader is over, if it’s a really important job I burn DVD’s of every card I shoot and put the discs away labelled in the clients file. From here I back the images up on redundant drives, I make sure the files are in three different places apart from my working drive. I have had great success with Western Digital and Seagate.

As much as I’d like to keep on going, I came down with the flu last night and now the room is starting to spin. I’ll be checking the comments section, so please feel free to ask anything I didn’t cover.

Cheers

Sean Flanigan | sean@wearemjr.com